Eclipse Pendant

Jackie Taylor

Description

This piece is part of the Wabi Sabi, Embracing the Art of Imperfection exhibit in the Main Gallery of The Folk Art Center.

“In my work, it’s not so much a case of “me” embracing the Wabi Sabi concept, but more of “it” embracing me. This pendant was an experiment from the start, an exploration of precious metal clay. I tried writing on the back, but the results were more textural than literary. The words were these:

“The universe is no narrow thing and the order within it is not constrained by any latitude in its conception to repeat what exists in one part in any other part. Even in this world more things exist without our knowledge than with it and the order in creation which you see is that which you have put there, like a string in a maze, so that you shall not lose your way. For existence has its own order and that no man’s mind can compass, that mind itself being but a fact among others.

Cormac McCarthy, Blood Meridian”

  • Fine silver – PMC, cubic zirconia, sterling silver chain
  • This item has been SOLD
  • Wabi Sabi runs from June 30 – September 30, 2018

The Southern Highland Craft Guild opens its third exhibition for the 2018 year with Wabi Sabi, Embracing the Art of Imperfection in the Folk Art Center’s main gallery upstairs. It features 60 objects from makers of the Guild that showcase this traditional Japanese aesthetic of honoring the beauty of flaws. Works focus on juxtapositions of symmetry through gnarled wooden sculptures, rough textures in a wall hanging’s fabric, or a woven pattern’s simplicity.
Curator Nikki Josheff received an overwhelming number of submissions for this exhibition. “It has been exciting to see the membership’s enthusiasm for Wabi Sabi,” she said. “With our history of cultivating fine craft for more than eight decades, there’s often an expectation of perfection within our community. Our jury process is rigorous, and done through peer-evaluation to uphold a standard within a designated media.” Wabi Sabi encourages participants to let go of creative pressures, perhaps expectations of perfection, that may limit one’s imagination. Instead, it challenges makers to work with flaws, or other brokenness within their process.

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